It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…
You May Also Like
In the early 1960s, Henry Ford II and Enzo Ferrari went to war on the battlefield of Le Mans. This epic battle saw drivers lose their lives, family dynasties nearly collapse, and the development of a new car that changed racing.
The colorful holiday classic is finally brought to the big screen, designed by famed children’s story author and artist Maurice Sendak, and written for the first time to be as close as possible to the original story. A lavish, exciting and heart-warming celebration of dance, of music, and of life. Based upon the Pacific Northwest Ballet’s original production.
Arguing With Myself, a recorded live performance of ventriloquist Jeff Dunham, portrays a comedian whose revival of an old-fashioned art has made ventriloquism more relevant to modern societal concerns. Starring his six main characters, from Bubba Jay, a Nascar-obsessed hick, to Peanut, a flamboyant gay monkey, Dunham’s puppets have dirty but relatively inoffensive senses of humor that mock the American Dream. His skills as a ventriloquist alone make him a fascinating entertainer, and anyone interested in how puppetry and ventriloquism has progressed over the decades would benefit from watching Dunham bring life to his wooden friends.
Burroughs: The Movie is the first and only documentary to be made about and with the full participation of writer William S. Burroughs. Howard Brookner began shooting the film in 1978 as his senior thesis at NYU; with Burroughs’ cooperation it subsequently expanded into a feature completed 5 years later in 1983. The film was shot by Tom DiCillo and the sound was recorded by Jim Jarmusch; both NYU classmates. In a collaboration between Burroughs and director Howard Brookner the film explores Burroughs’ life story along with many of his contemporaries including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and Lauren Hutton. Burroughs: The Movie documents Burroughs’ long, controversial and productive life in great detail, film traveling from the American Midwest to North Africa, through defining moments of his wildly unconventional life, including several personal tragedies, charting the development of Burroughs’ unique literary style.