A new drug is taking over the streets, coating them in blood, vomit, and other less savory fluids. The six eye-opening stories in this anthology reveal the truth about this new white menace.
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Peter Ustinov stars as the eponymous wraith, who returns to Earth to aid his descendant, elderly Elsa Lanchester (Stowecroft). The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Steve Walker (Jones) gets caught in the middle of the squabble after evoking Blackbeard’s ghost.
Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the ‘Death Race’, the biggest, most brutal event.
Moist von Lipwig is a con-man with a particular talent– he is utterly unremarkable. When his execution is stayed in Terry Pratchett’s remarkable Discworld, he must work off his debt to society as the land’s head Postman. Things are not always as they seem, and soon Lipwig is delivering mail for his very life!
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.