Fleeing an arranged marriage in China, the independent Peony signs a contract to work as a “flower girl” in America, where she meets Tom, an American Born Chinese cook whose father works on the Transcontinental Railroad. Thwarted by a Hong Kong Triad boss seeking to extend his power into America, theirs is the tale of the first great Chinese immigration to the United States – a story of romance, bigotry, passion, food and a search for everlasting love – set against the largest mass lynching in American history, in Los Angeles’ Chinatown, in 1871.
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In 1993 after teenage Cameron is caught in the backseat of a car with the prom queen, she is sent away to a treatment center in a remote area called God’s Promise. While she is being subjected to questionable gay conversion therapies, she bonds with some fellow residents as they pretend to go along with the process while waiting to be released.
An abused beagle runs away from his owner. On the road, he meets young Marty Preston and follows him home. The boy immediately forms a bond with the dog and names him Shiloh. His stern father won’t let him keep the dog because it belongs to Judd Travers, a local hunter. After Shiloh is mistreated again, he runs away and returns to Marty. Knowing his father will once again make him bring Shiloh back to Judd, he makes a home for the dog in an old shed up the hill from the Prestons’ house and hides him from his family. His secret is soon discovered when a stray attacks the dog one night and he must turn to his father for help.
Europol Agent Tom Brindle is called to Barcelona, Spain, to track down the notorious serial killer known as Pygmalion. A set of fingerprints lead to a young, volatile soldier, Marco Soler. Agent Brindle arrests Marco and intensely interrogates him, convinced that he has his man. Marco has an airtight alibi though and further investigation of the suspect leads Agent Brindle to a shocking discovery.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.