A widescreen, Technicolor remake of Hitchcock’s own 1934 film of the same title starring James Stewart and Doris Day. A couple vacationing in Morocco with their son accidentally stumble upon an assassination plot. When their son is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
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Eric O’Neill, a computer specialist who wants to be made an agent is assigned to clerk for Robert Hanssen, a senior agent with 25 years in the FBI, and to write down everything Hanssen does. O’Neill’s told it’s an investigation of Hanssen’s sexual habits, however Hanssen is really suspected of spying for the Soviet Union and Russia for years and being responsible for the deaths of agents working for the United States.
Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boy’s mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard; and the entire township rallies together in solidarity – to support her and Detective Cordin’s efforts to find the killers.
Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.