When the first manned flight to Venus returns to Earth, the rocket crash-lands in the Mediterranean near a small Italian fishing village. The locals manage to save one of the astronauts Colonel Calder, the mission commander. A young boy also recovers what turns out to be a specimen of an alien creature. Growing at a fantastic rate, it manages to escape and eventually threatens the city of Rome.
This is a story based on fact that follows a husband and wife who emigrate from Scotland to Wisconsin in the 1850’s. They work very hard and become welcome citizens of their new town, Eureka. They have six children. They prosper in the husband’s boat building business. But when their eldest is 12, tragedy strikes the family, and the 12-year old is burdened with a terrible task which he handles as well as any adult could.
New York City newspaper writer J.J. Hunsecker (Burt Lancaster) holds considerable sway over public opinion with his Broadway column, but one thing that he can’t control is his younger sister, Susan (Susan Harrison), who is in a relationship with aspiring jazz guitarist Steve Dallas (Marty Milner). Hunsecker strongly disproves of the romance and recruits publicist Sidney Falco (Tony Curtis) to find a way to split the couple, no matter how ruthless the method.
Future “first couple” Ronald Reagan and Nancy Davis made their only joint film appearance in Hellcats of the Navy. Ronnie plays Casey Abbott, commander of a WW2 submarine, while Nancy portrays navy nurse Helen Blair, Abbott’s off-and-on girlfriend. During a delicate mission in which his sub is ordered to retrieve a revolutionary new Japanese mine, Abbott is forced to leave frogman Wes Barton (Harry Lauter) behind to save the rest of his crew. But Abbott’s second-in-command Don Landon (Eduard Franz) is convincing that Abbott’s sacrifice of Barton was due to the fact that the dead man had been amorously pursuing Helen.
Burglar Nat Harbin (Dan Duryea) and his two associates set their sights on wealthy spiritualist Sister Sarah, who has inherited a fortune — including a renowned emerald necklace — from a Philadelphia financier. Using Nat’s female ward, Gladden (Jayne Mansfield), to pose as an admirer and case the mansion where the woman lives, they set up a perfect break-in. Things get complicated afterwards.
A mild mannered sheriff must fight both a hired gun and local anti-Indian bigotry in a small frontier town.
Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold stature of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector, but Phaedra wants to give it to anthropologist Jim Calder, who would return it to the Greek government.
A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway’s 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
Mikio and Washizu are the commanders of the 1st and 2nd Fortress under a local lord, who reigns in the Spiders’ Web Castle. After defeating the lord’s enemies in battle, they visit the fortress. Washizu, driven by his wife, conspires and murders the lord, becoming lord of the castle. But his evil deeds come back to haunt him.
An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.
Quatermass is the director of an important scientific base, where he builds nuclear rockets for the colonization of the Moon. A strange fall of meteorites in a nearby village leads to the discovery of a huge base under a strict military control, officially a factory of artificial food. Quatermass reveals that the factory is actually breeding alien creatures.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
In Korea, on 6 September 1950, Lieutenant Benson’s platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can’t stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It’s a long, harrowing march, fraught with all the dangers the elusive enemy can summon.
A young cowboy, whose dedication to the principles of peace and reason has earned him a reputation for cowardice, overcomes his psychological aversion to violence after his elder brother unjustly censures him for not joining in a foolhardy gunfight in which their youngest brother is killed.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson , the commander who supervised the bridge’s construction, has acquired a sense of pride in his creation and tries to foil their plans.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is *supposed* to be on a diet of bland, civil suits. But the lure of the criminal courts is too much for him, especially when the case is so difficult: Vole’s only alibi witness is his wife, the calm and coldly calculating Christine Vole. Sir Wilfrid’s task becomes even more impossible when Christine agrees to be a witness not for the defence but for the prosecution.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors’ prejudices and preconceptions about the trial, the accused, and each other.
Nickie Ferrante’s return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they’ve fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however resulting in misunderstanding and heartbreak and only fate can save their relationship.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
During World War I, commanding officer General Broulard (Adolphe Menjou) orders his subordinate, General Mireau (George Macready), to attack a German trench position, offering a promotion as an incentive. Though the mission is foolhardy to the point of suicide, Mireau commands his own subordinate, Colonel Dax (Kirk Douglas), to plan the attack. When it ends in disaster, General Mireau demands the court-martial of three random soldiers in order to save face.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi